• WANDELN — Finally!

    Finally! — WANDELN animated typeface and short film are now available at

    WANDELN is a classic yet modern typeface with high contrast and futuristic-looking animations. It is inspired by art deco design and vintage French beverage labels. The animation is divided into 2 parts. First we see the rectangular shapes appearing. You can choose between a smooth or flickering style for this part. After that, the curves start flowing in. This division is what gives Wandeln it’s unique rhythm.

  • 36 days of type

  • Oh! Ein Pelikan!

    This one was hidden for a long time in our secret laboratories, but now it’s official. The Township Rebellion boys released their new track ‚Pelikan‘ on Moonbootique Records. I directed, designed and animated the official music video. Oh! That was fun!

  • Design Matters

    Commissioned by Computer Arts Magazine UK, I designed and animated their monthly returning ‘Design Matters‘ theme.
    My submission consists out of a full page illustration for their print magazine and a 15 second animation loop for the iPad edition. – Computer Arts | #253

  • Featured Showreel

    Recently, Computer Arts Magazine has featured my showreel and asked me a few questions about it:

    “I aimed to present a wide range of my work in the shortest amount of time possible,” explains Germany-based motion graphic designer and art director Florian Bartl. “I like to toy around and have a go with new styles, techniques and combinations.” Clocking in at just under 1:30, Bartl’s showreel is an explosion of geometric animals, title sequences and illustrated delights that expertly show off his motion design skills. “I really like the intro and its playful character,” he continues. “Yet, every project has its very own special value to me; they’re all a result of passion, sweat and gallons of espresso.”

    Having created title sequences for a number of conferences, Bartl has been able to make each one unique yet inspiring with his own flair, as shown throughout the reel. “The challenge with putting this showreel together was combining two apparent opposites,” he says. “On the one hand, you have to be very strict to be able to reduce an entire project to a few essential seconds. On the other hand, you have to broaden your mind to find the common denominator for a bunch of very different projects and arrange them to become one homogenous reel.”

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